We might be used to seeing men playing women on-stage... but what about women playing men? Swansea actress Alice White talks to MARK REES about readdressing the balance with a new, homegrown, and all-female production of a Shakespearian classic
All the world's a stage, wrote the great bard in one of his more quotable moments. But if all the world's a stage, is it all a man's world... and is it all a man's stage?
In the ancient world, the idea of a Greek or Roman woman performing onstage was unthinkable.
Even in Shakespeare's day, the female roles were dished out to the men and boys — a tradition still common to this day.
As such, we've grown quite accustomed to the idea of men donning the makeup and glad rags for the feminine roles — from outrageous panto dames to majestic goddesses — but when the shoe is on the other foot, and women take on the roles of men, it still raises a few eyebrows.
Anyone popping onto social media last week couldn't have helped but notice the furore caused by the news that 80s paranormal blockbuster Ghostbusters was being relaunched in 2016, but that the four principal characters would not be played by Bill Murray, Dan Aykroyd and co, but were being replaced by — shock horror — girls.
And in a timely parallel, right here in our own backyard, one of Shakespeare's most celebrated plays will be given similar treatment with a new, homegrown production of Richard III opening at Wales Millennium Centre next week. And the entire cast is female.
In fact, it's not only the cast; the entire company is female. And this is something which Swansea-born actress Alice White, who tackles several of the plays masculine roles including Richmond and Lord Hastings, believes is long overdue.
"We've seen shows with all male characters, but not the other way. This is a bit of a shock to the senses," explains Alice, who has managed to sneak out of rehearsals long enough to bring me up to speed with the production.
"There was a big report into women and their involvement in the arts recently, and it shows that women are underrepresented across the world.
"Over 60 percent of theatre audience members are women, but only 30 percent of those working in the arts are women.
"We're trying to readdress the balance."
One way of achieving that is by making the current production 100 percent female.
"Absolutely everybody brought in by the theatre company is female," she says.
"It's not Shakespeare as we know it. There isn't much Shakespeare made in Wales full stop, and as far as I know, it hasn't been done like this in Wales before.
"People are used to seeing men dress up as women, but not the other way around. We're not doing impersonations of men, and we're hoping people will just forget that we're women, in the same way you forget when men are dressed as women."
Alice, who hails from just outside Mumbles, says she caught the acting bug locally where she attended Swansea's Bishopston and Olchfa comprehensive schools. She also studied at Gorseinon College, before heading off to the Royal Scottish Academy of Music and Drama.
But there's one local institution in particular that she owes a huge debt of gratitude to, and one that she passionately defends when I raise it in conversation.
"I was heavily involved with West Glamorgan Youth Theatre from the age of 15 to 21, which made me who I am – it changed my life" she says of the under-fire theatre group which helped launch the careers of countless local success stories, including Port Talbot's Hollywood superstar Michael Sheen, and Swansea-born Russell T Davies, who spectacularly regenerated the Doctor Who franchise in 2005.
"It gave me a chance to mix with people, not just my school friends, and it gave me so much confidence.
"Some people might not realise how much Shakespeare can change your life, but it can," she notes of the power of the bard's words.
"I was lucky; I had good English teachers who taught it well. And I was interested in drama, which helped. But it was West Glamorgan Youth Theatre who really showed me how much you can get from the text – they unlocked it for me.
"I know cuts have to be made, but not only to the arts. Arts can't just be for the privileged few."
One way in which Alice herself is helping to spread the arts beyond the "privileged few" is by taking Richard III into local school and youth clubs, and to show the youngsters how things really work.
"We rehearse in front of them, which is something they won't have seen before. We're not hiding behind anything, and it gives them a chance to interact and ask questions.
"I was talking to one young girl who had never even been to the theatre before, but now she wanted to.
"It felt like we'd hooked her in."
Alice, who now lives in London, says she pops back home "whenever I need to see the sea... or I need a Joe's Ice Cream!", which is something she'll be able to do a lot more often over the next month or so, being back on Welsh soil for Richard III.
Performing alongside her will be a host of familiar faces, which she describes as a "mixed bag from Welsh theatre and TV," many of whom will also be acting — and dressing — as men.
And does it work? Are they convincing as men? To find out, they initially experimented with looks and outfits, including an early – and rejected – idea of wearing fake beards. They even hit the streets of the city dressed as men to see what kind of response they'd get from the public.
"We dressed up and went out, and some people did take a double take. But we didn't get any weird comments. People were very receptive to the idea."
Another area they had to work on was the historical accuracy of the play, noting that Shakespeare can occasionally be a little bit liberal with the facts.
"We've been swotting up on the history of the War of the Roses," says Alice of their preparations.
"It's good to known how the characters relate to each other, and to know a little bit more about them.
"Who loves who, who hates who… who kills who!" she laughs.
"There are little things from history which can be a bit difficult, and we're still piecing it all together, getting to grips with it – it's a hefty play.
"For example, when I play Hastings at the start, I get sent to the Tower of London, which there is no historical record of. Maybe it was Shakespeare being a bit dramatic. And maybe Richard III wasn't quite so evil, and shouldn't be played with such a bug hump."
In fact, we can expect a much smaller hump in this production, but as Alice points out, that's as much for practical reasons as historical accuracy.
"We're being a bit more subtle. We're still exploring it, but the hump will be much smaller. The space that we're performing in is massive, and you can't go running up ladders with a huge hump on your back."
The performance area itself will also be something of a first, being staged up in the rafters in the Wales Millennium Centre's new roof void theatre.
"We're exploring the work in a brand new space, working up in the coolest space I've ever performed in," she says of the stage in the sky.
"It's literally on the roof – almost in the attic. It's a massive stage, and more of a promenade performance. If the audience want to wander around they can."
And looking to the future, could there be another Shakespearian classic getting a similar treatment on the horizon? Alice hopes so, but admits that you never know what lies around the corner in her chosen profession.
"Who knows? That's the life of the actor!" she jokes. "I'll do this until March, and then it's on to the next thing..."
• Richard III opens at Wales Millennium Centre on Tuesday, and runs until Monday, February 23
Mark Rees | Follow Mark on Twitter: @reviewwales | Email Mark: mark.rees@swwmedia.co.uk
![All-female Richard III: Swansea actress Alice White on giving Shakespeare's classic a feminine makeover All-female Richard III: Swansea actress Alice White on giving Shakespeare's classic a feminine makeover]()